Thứ Năm, 29 tháng 11, 2012

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Your Step By Step Guide To Writing Rescue Scenes

by Lenore Bolton

Writing rescue scenes is both an art and a science. The art is in the scene-setting, the plot and the depth of the characters. The science is knowing how the human body reacts to drama on the screen. You have the ability to play the human psyche like a finely tuned harp or a cacophony of clashing symbols. During a really dramatic scene, and even during the ups and downs of the developing plot, you could plant electrodes on your audience and watch how your words affect their physiology.

By carefully selecting your words, you can make the audience feel hot when you want them to feel hot and cold when you want them to feel cold. You have the entire spectrum of human emotion at your disposal. Burying your characters alive is a popular theme.

You could have the protagonist(s) fall down a mine shaft or buried under a ton of snow after an avalanche. A popular technique is to have the villain of the story bury the victim in a plexiglass box. Why plexiglass? So the audience can experience the terror right along with them. Will the rescuer get there in time? If you like writing funeral scenes, maybe not. Otherwise, this is the time for our hero to show off.

A claustrophobic trauma is not compulsory for <A href="http://www.writingrescuer.com">writing rescue</A> scenes that stir your audience. Maritime disasters like shipboard fires or perfect storms are a recurring theme. Your typical hero should also be schooled in dragging people out of burning buildings or coaches full of tourists dangling precipitously on the edge of a cliff.

For some reason, everybody loves a medical drama. Will the midwife get to the remote homestead before the baby decides it's showtime for mommy. Will the scrub nurse drop the transplant heart on the operating room floor. Will the senior surgeon faint in the middle of a delicate operation for which only he is trained, leaving the handsome, young junior doctor to amaze the team with his arrogance and skill.

The way you describe your characters is critical to getting your audience in the right mood. There are two extremes here. One, you can make the victim needing the rescue as likable as a basket of kittens. In this case, the audience is at the edge of their seat, urging the heroes to be at the right place at the right time.

On the other hand, maybe the victim is the villain of the piece. Long before the incident from which they need rescuing takes place, you need to build up the audience's antipathy toward the protagonist. Identify the good guys, the characters that the audience can relate to and write the preceding scenes that have the villain shafting the sympathetic characters one by one. In this case, you want to hear the audience booing the rescue team.

You can rate your effectiveness at writing rescue scenes by monitoring popcorn sales. Audiences always eat popcorn at a faster rate when they are keyed up and absorbed in what is happening on the screen.



<a href="http://www.writingrescuer.com">Read more about</a> Writing Rescue Scenes That Kill visiting our website.

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New Unique Article!

Title: Your Step By Step Guide To Writing Rescue Scenes
Author: Lenore Bolton
Email: nathanwebster335@live.com
Keywords: business, sales, leadership, marketing, news
Word Count: 517
Category: Sales
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